Art of Love, Remedy of Love, Art of Beauty, Court of Love, History of Love, Amours


Art of Love, Remedy of Love, Art of Beauty, Court of Love, History of Love, Amours
By P. Ovidius Naso
Edited by: various

New York Calvin Blanchard 1855



Perseus Documents Collection Table of Contents



Introduction

Life of Ovid

A Note on the Translations

Ovid's Art of Love

Book I

Book II

Book III

Ovid's Remedy of Love

Ovid's Art of Beauty.

The Court of Love, a tale from Chaucer.

History of Love, by Charles Hopkins

Admiration

Perseus and Andromeda

Desire

Pygmalion

Hippomenes and Atalanta

Jealousy

Cephalus and Procris

Despair

Orpheus and Eurydice

The Parting

The Parting of Achilles and Deidamia

Absence

Leander's Epistle to Hero

Narcissus and Echo

Salmacis and Hermaphroditus

Ovid's Amours.
   Elegy I: By Dryden
   Elegy II: By Creech
   Elegy III: To His Mistress. By Charles Hopkins.
   Elegy IV: To His Mistress, whose husband is invited to a feast with him. The poet instructed her how to behave herself in his company. By Dryden.
   Elegy V: By Duke
   Elegy VI: To His Mistress's Porter, to open the gate to him. By an unknown hand.
   Elegy VII: To His Mistress, whom he had beaten. By Henry Cromwell.
   Elegy VIII: He Curses a Bawd, for going about to debauch his mistress. By Sir Charles Sedley.
   Elegy IX: Of Love and War. By Henry Cromwell.
   Elegy XI: To Nape, praying her to deliver his letter to her mistress. By Henry Cromwell.
   Elegy XII: He curses his letter because it was not answered.
   Elegy XIII: To the Morning, not to make haste. By an unknown hand.
   Elegy XIV: He comforts his mistress for the loss of her hair by the means she took to beautify it. By an unknown hand.
   Elegy III: To a Eunuch, who had the keeping of his mistress
   Elegy IV: That he loves all sorts of women.
   Elegy V: To His False Mistress. By Eusden.
   Elegy VI: On the Death of His Mistress's Parrot. By Creech.
   Elegy VII: He protests that he never had anything to do with the chambermaid. By the same hand.
   Elegy VIII: To Corinna's Chambermaid. By the same hand.
   Elegy IX: To Love. By the Earl of Rochester.
   Elegy X: Ovid tells Graecinus, that he is fallen in love with a couple of ladies. By an unknown hand.
   Elegy XII: The Poet rejoices for the favours he has received of his mistress.
   Elegy XIII: To Isis. A prayer that the goddess would assist Corinna, and prevent her miscarrying.
   Elegy XIV: To his Mistress, who endeavoured to make herself miscarry.
   Elegy XV: The Poet addresses the ring which he has sent a present to his mistress. By an unknown hand.
   Elegy XVI: He invites his mistress into the country.
   Elegy XVII: He tells Corinna he will always be her slave
   Elegy XVIII: To Macer, blaming him for not writing of love as he did.
   Elegy XIX: By Dryden.
   Elegy I: The Poet deliberates with himself whether he should continue writing elegies, or attempt tragedy.
   Elegy II: To his Mistress at the horse-race. By Henry Cromwell.
   Elegy III: Of His Perjured Mistress. By Henry Cromwell.
   Elegy IV: To a man that locked up his wife. By Sir Charles Sedley
   Elegy V: The Dream. By Henry Cromwell.
   Elegy VI: To a River, as he was going to his mistress. By Rhymer.
   Elegy VII: Ovid laments his imperfect enjoyments. By an unknown hand.
   Elegy VIII: He complains that his mistress did not give him a favourable reception.
   Elegy IX: Upon the Death of Tibullus. By Stepney.
   Elegy X.
   Elegy XI: To his Mistress, that he cannot help loving her.
   Elegy XII: He complains that the praises he has bestowed on his mistress in his verses, have occasioned him many rivals.
   Elegy XIII: Of Juno's Feast.
   Elegy XIV: He desires his mistress, if she does cuckold him, not to let him know it.
   Elegy XV: To Venus, that he may have done writing elegies.

Introduction

Life of Ovid

A Note on the Translations

Ovid's Art of Love

Book I

Book II

Book III

Ovid's Remedy of Love

Ovid's Art of Beauty.

The Court of Love, a tale from Chaucer.

History of Love, by Charles Hopkins

Admiration

Perseus and Andromeda

Desire

Pygmalion

Hippomenes and Atalanta

Jealousy

Cephalus and Procris

Despair

Orpheus and Eurydice

The Parting

The Parting of Achilles and Deidamia

Absence

Leander's Epistle to Hero

Narcissus and Echo

Salmacis and Hermaphroditus

Ovid's Amours.
   Elegy I: By Dryden
   Elegy II: By Creech
   Elegy III: To His Mistress. By Charles Hopkins.
   Elegy IV: To His Mistress, whose husband is invited to a feast with him. The poet instructed her how to behave herself in his company. By Dryden.
   Elegy V: By Duke
   Elegy VI: To His Mistress's Porter, to open the gate to him. By an unknown hand.
   Elegy VII: To His Mistress, whom he had beaten. By Henry Cromwell.
   Elegy VIII: He Curses a Bawd, for going about to debauch his mistress. By Sir Charles Sedley.
   Elegy IX: Of Love and War. By Henry Cromwell.
   Elegy XI: To Nape, praying her to deliver his letter to her mistress. By Henry Cromwell.
   Elegy XII: He curses his letter because it was not answered.
   Elegy XIII: To the Morning, not to make haste. By an unknown hand.
   Elegy XIV: He comforts his mistress for the loss of her hair by the means she took to beautify it. By an unknown hand.
   Elegy III: To a Eunuch, who had the keeping of his mistress
   Elegy IV: That he loves all sorts of women.
   Elegy V: To His False Mistress. By Eusden.
   Elegy VI: On the Death of His Mistress's Parrot. By Creech.
   Elegy VII: He protests that he never had anything to do with the chambermaid. By the same hand.
   Elegy VIII: To Corinna's Chambermaid. By the same hand.
   Elegy IX: To Love. By the Earl of Rochester.
   Elegy X: Ovid tells Graecinus, that he is fallen in love with a couple of ladies. By an unknown hand.
   Elegy XII: The Poet rejoices for the favours he has received of his mistress.
   Elegy XIII: To Isis. A prayer that the goddess would assist Corinna, and prevent her miscarrying.
   Elegy XIV: To his Mistress, who endeavoured to make herself miscarry.
   Elegy XV: The Poet addresses the ring which he has sent a present to his mistress. By an unknown hand.
   Elegy XVI: He invites his mistress into the country.
   Elegy XVII: He tells Corinna he will always be her slave
   Elegy XVIII: To Macer, blaming him for not writing of love as he did.
   Elegy XIX: By Dryden.
   Elegy I: The Poet deliberates with himself whether he should continue writing elegies, or attempt tragedy.
   Elegy II: To his Mistress at the horse-race. By Henry Cromwell.
   Elegy III: Of His Perjured Mistress. By Henry Cromwell.
   Elegy IV: To a man that locked up his wife. By Sir Charles Sedley
   Elegy V: The Dream. By Henry Cromwell.
   Elegy VI: To a River, as he was going to his mistress. By Rhymer.
   Elegy VII: Ovid laments his imperfect enjoyments. By an unknown hand.
   Elegy VIII: He complains that his mistress did not give him a favourable reception.
   Elegy IX: Upon the Death of Tibullus. By Stepney.
   Elegy X.
   Elegy XI: To his Mistress, that he cannot help loving her.
   Elegy XII: He complains that the praises he has bestowed on his mistress in his verses, have occasioned him many rivals.
   Elegy XIII: Of Juno's Feast.
   Elegy XIV: He desires his mistress, if she does cuckold him, not to let him know it.
   Elegy XV: To Venus, that he may have done writing elegies.


Funded by The Annenberg CPB/Project

 
Oh, could you once arrive but to the pow'r
As unconcern'd, to pass your mistress' door!
Strongly resolve, though ne'er so loath to stir,
For now's the time to stretch with whip and spur.
Think there's the Syren's den, the deadly bay,182
Make all the sail you can and scud away.
Your fond resentment quit, and condescend
To take your very rival for your friend.
Salute him kindly, though with deep regret;
Embrace him, I'll pronounce your cure complete.
Now to perform a true physician's part,
And show I'm perfect master of my art;
I will prescribe what diet you should use,
What food you ought to take, and what refuse.
Mushrooms of ev'ry sort provoke desire,
Salacious rockets set your veins on fire;
The plant I recommend is wholesome rue,
It clears the sight and does the blood subdue:
But, in a word, of all the herbs that grow,
Take only such as keep the body low.
If my opinion you would have of wine,
It quenches love, and does to love incline.
A little breath of wind but fans the fire,
Whose flame will in a greater blast expire.
In wine you must no moderation keep;
You must not drink at all; or drink so deep,
So large a dose, as puts your cares to sleep.
Now to our port we are arriv'd; bring down
The jolly wreath, our weary barque to crown.183
Your grief redrest, and now a happy throng,
Ye nymphs and youths applaud my healing song.

Ovid's Art of Beauty.



Poem Med.
Once more, ye fair, attend your master's song,
And learn what method will your charms prolong;
What happy heart best recommends a face;
What heightens beauty; what preserves a grace.
Art improves nature; 'twas by art we found
The vast advantages of furrow'd ground:
The soil manur'd, a fruitful harvest bore,
Where thorns and hungry brambles grew before.
By art the gard'ner grafts his trees, to bear
A kinder fruit, and recompense his care.
A gilded roof delights our captive eyes,
And stately monuments the sight surprise,
Tho' sordid earth beneath the polish'd marble lies.
The fleece may be with royal purple died,
And India precious ivory provide,
To please your fancies and supply your pride.
When Tatius rul'd the ancient Sabine race,
Then, rough and careless of a handsome face,
The women took more pains to earn their bread
At plough and cart, than how to dress the head;
All day their task the busy matrons plied,
Or spinning sat, as to their distaffs tied.
The mother then at night would fold the sheep
Her little daughter us'd by day to keep;
And when at home, would cleave out logs of wood,
Or kindle up a fire to boil their food.
But you, by nature form'd in finer moulds,
Must wrap your tender limbs in silken folds;
Wear lawns and tissue, sleep in damask beds,
And with gay knots and wires adorn your heads:
Your ears with pendants, lockets on your arms,
Besides a thousand other nameless charms.
Nor needs this care to please a blush create;
The men themselves have learned to dress of late.
You are not now particular in clothes,
The husband and the bridegroom both are beaux;
Dress then, and 'tis no sin to dress with art,
For that's the way to wound the lover's heart.
E'en those that live remote in country towns,
Will dress their hair with flowers and daisy crowns,
And deck and prank themselves, to please the clowns.
Besides, all women take a secret pride
In being fine, or else they are belied;
For when the conscious maid her glass explores,
And finds she's handsome, she herself adores.
Thus Juno's bird with silent pride will raise
And spread his starry plumes, whene'er he meets with praise.
This method will oblige our sex to love,
And more than magic herbs their passions move.
Trust not to philtres; all such stuff forbear;
Nor try the venom of the lustful mare.
'Tis all a jest; no snakes by such a force
Enchanted burst, no rivers change their course;
Nor can they make the moon from heaven descent
Whate'er some superstitious fools pretend.
First learn good breeding; that I first advise;
Good carriage oft the other wants supplies.
For when ill-natur'd age shall rudely plough
Injurious furrows on your wrinkled brow,
You then perhaps may chide the tell-tale glass,
That shews the frightful ruins of your face;
But if good humour to the last remain,
E'en age may please, and love his force retain.