Commentary on the Homeric HymnsMachine readable text


Commentary on the Homeric Hymns
By Thomas W. Allen
London Macmillan 1904



Perseus Documents Collection Table of Contents



THE HOMERIC HYMNS IN ANTIQUITY
   FIFTH CENTURY B.C.
   THIRD CENTURY B.C.
   FIRST CENTURY B.C.6
   SECOND CENTURY A.D.

THE NATURE OF THE HOMERIC HYMNS

HYMN TO DIONYSUS

HYMN TO DEMETER

HYMN TO APOLLO

HYMN TO HERMES

HYMN TO APHRODITE

HYMN TO APHRODITE

HYMN TO DIONYSUS

HYMN TO ARES

HYMN TO ARTEMIS

HYMN TO APHRODITE

HYMN TO ATHENA

HYMN TO HERA

HYMN TO DEMETER

HYMN TO THE MOTHER OF THE GODS

HYMN TO HERACLES THE LION-HEARTED

HYMN TO ASCLEPIUS

HYMN TO THE DIOSCURI

HYMN TO HERMES

HYMN TO PAN

HYMN TO HEPHAESTUS

HYMN TO APOLLO

HYMN TO POSEIDON

HYMN TO ZEUS

HYMN TO HESTIA

HYMN TO THE MUSES AND APOLLO

HYMN TO DIONYSUS

HYMN TO ARTEMIS

HYMN TO ATHENA

HYMN TO HESTIA

HYMN TO EARTH THE MOTHER OF ALL

HYMN TO HELIOS

HYMN TO SELENE

HYMN TO THE DIOSCURI

THE HOMERIC HYMNS IN ANTIQUITY
   FIFTH CENTURY B.C.
   THIRD CENTURY B.C.
   FIRST CENTURY B.C.6
   SECOND CENTURY A.D.

THE NATURE OF THE HOMERIC HYMNS

HYMN TO DIONYSUS

HYMN TO DEMETER

HYMN TO APOLLO

HYMN TO HERMES

HYMN TO APHRODITE

HYMN TO APHRODITE

HYMN TO DIONYSUS

HYMN TO ARES

HYMN TO ARTEMIS

HYMN TO APHRODITE

HYMN TO ATHENA

HYMN TO HERA

HYMN TO DEMETER

HYMN TO THE MOTHER OF THE GODS

HYMN TO HERACLES THE LION-HEARTED

HYMN TO ASCLEPIUS

HYMN TO THE DIOSCURI

HYMN TO HERMES

HYMN TO PAN

HYMN TO HEPHAESTUS

HYMN TO APOLLO

HYMN TO POSEIDON

HYMN TO ZEUS

HYMN TO HESTIA

HYMN TO THE MUSES AND APOLLO

HYMN TO DIONYSUS

HYMN TO ARTEMIS

HYMN TO ATHENA

HYMN TO HESTIA

HYMN TO EARTH THE MOTHER OF ALL

HYMN TO HELIOS

HYMN TO SELENE

HYMN TO THE DIOSCURI


Funded by The Annenberg CPB/Project

 


Poem 13

HYMN TO DEMETER

THIS cento, as Gemoll calls the short hymn, is formed from the longer hymn to Demeter (1 = h. Dem. 1, 2 = h. Dem. 493) except for the third line, which occurs in Callim., h. Dem. 134, as far as πόλιν. But, although obviously a patchwork, the hymn is not necessarily later than Callimachus. The Alexandrine poet might perhaps have disdained to borrow from such a source; but both he and the hymn-writer may have taken the sufficiently commonplace χαῖρε, θεά, καὶ τήνδε σάου πόλιν from an older hymn. Guttmann's view, that ἄρχε δ' ἀοιδῆς is a mark of late work, is rightly criticised by Gemoll; it is addressed to Demeter herself, who inspires, and so may be said to begin, the recitation; cf. Od. 8.499 δ' ὁρμηθεὶς θεοῦ ἤρχετο.


Commentary on line 2

*persefo/neian: the Homeric form; the aspirated Φερσεφόνεια (xp) may be due to the forms Φερσεφόνα (η), Φερσέφασσα, Φερ(ρ)έφαττα; so in Orph. h. xli. 5. On the various forms see Frster der Raub der Persephone p. 276 f.