MICROGRAPHIA RESTAURATA


MICROGRAPHIA RESTAURATA




Linda Hall Library Collection Table of Contents



THE PREFACE

Micrographia Restaurata, & c
  An EXPLANATION of the FIRST PLATE
  An EXPLANATION of the SECOND PLATE
  An EXPLANATION of the THIRD PLATE
  An EXPLANATION of the FOURTH PLATE
  An EXPLANATION of the FIFTH PLATE
  An EXPLANATION of the SIXTH PLATE
  An EXPLANATION of the SEVENTH PLATE
  An EXPLANATION of the EIGHTH PLATE
  An EXPLANATION of the NINTH PLATE
  An EXPLANATION of the TENTH PLATE
  An EXPLANATION of the ELEVENTH PLATE
  An EXPLANATION of the TWELFTH PLATE
  An EXPLANATION of the THIRTEENTH PLATE
  An EXPLANATION of the FOURTEENTH PLATE
  An EXPLANATION of the FIFTEENTH PLATE
  An EXPLANATION of the SIXTEENTH PLATE
  An EXPLANATION of the SEVENTEENTH PLATE
  An EXPLANATION of the EIGHTEENTH PLATE
  An EXPLANATION of the NINETEENTH PLATE. The Figures in this Plate shew the Construction of the Feathers of Birds
  An EXPLANATION of the TWENTIETH PLATE
  An EXPLANATION of the TWENTY-FIRST PLATE
  An EXPLANATION of the TWENTY-SECOND PLATE
  An EXPLANATION of the TWENTY-THIRD PLATE
  An EXPLANATION of the TWENTY-FOURTH PLATE
  An EXPLANATION of the TWENTY-FIFTH PLATE
  An EXPLANATION of the TWENTY-SIXTH PLATE
  An EXPLANATION of the TWENTY SEVENTH PLATE
  An EXPLANATION of the TWENTY-EIGHTH PLATE
  An EXPLANATION of the TWENTY-NINTH PLATE
  An EXPLANATION of the THIRTIETH PLATE
  An EXPLANATION of the THIRTY-FIRST PLATE
  An EXPLANATION of the THIRTY-SECOND PLATE
  An EXPLANATION of the THIRTY-THIRD PLATE
  INDEX


Electronic edition published by Cultural Heritage Langauge Technologies and funded by the National Science Foundation International Digital Libraries Program. This text has been proofread to a low degree of accuracy. It was converted to electronic form using data entry.

Micrographia Restaurata, & c

An EXPLANATION of the FIRST PLATE

    Irregularity of the Type, the rough dawbing of the Printing-Ink thereon, and the Vari- ation made by the different Lights and Shadows. Nor is a Point made with a Pen, or by a Copper-Plate, at all less ill-shapen and ugly ; nor can the sinest Writing in the World stand the Test of this Instrument, but will appear before it like the bungling Scrawls of a School-Boy, made with Charcoal on a whited Wall.


PLATE I. FIG. 3. The Edge of a Razor

THIS Figure represents the Edge (about half a Quarter of an Inch long) of a very sharp Razor well set upon a good Hone,
The Edge of a Razor.
and so placed between the Object-Glass and the Light, that there appeared a Reflection from the very Edge, which is shewn by the white Line a, b, c, d, e, f.

When we speak of any thing as extremely keen, we usually compare it to the Edge of a Razor ; but we find, when examined thus, how far from Sharpness even a Razor's Edge appears : That it seems a rough Surface, of an unequal Breadth from side to side, but scarce any where narrower than the Back of a pretty thick Knife : That it is neither smooth, even, nor regular ; for it is somewhat sharper than elsewhere at d, indented about b, broader and thicker about c, unequal and rugged about e, and most even between a, b, and e, f, though very far in any Place from being really straight.

The Side immediately below the Edge, and what the naked Eye accounts a Part of it, g, b, y, k, had nothing of that Polish one would imagine Bodies so smooth as a Hone and Oil should give it ; but was full of innumerable Scratches crossing one another, with Lines here and there, more rugged and deep than the rest, such as g, b, y, k, o, occasioned pro- bably by some small Dust falling on the Hone, or some more flinty Part of the Hone itself.

The other Part of the Razor L L, which had been polished on a Grind-stone, appeared like a plowed Field, full of Ridges and Furrows.

The irregular dark Spot m, n, seemed to be a little Speck of Rust ; corrosive Juices ge- nerally working in such a manner.

This Examination proves, how rough and unseemly (had we microscopic Eyes) those Things would appear, which now the Dulness of our Sight makes us think extremely neat and curious : And, indeed, it seems impossible by Art to give a perfect Smoothness to any hard and brittle Body ; for Putty, or any other soft Powder, employed to polish such Body, must necessarily consist of little hard rough Particles, each whereos cut- ting its Way, must consequently leave some kind of Furrow behind it. In short, this Edge of a Razor, had it been really as the Microscope shews it, would scarce have served to chop Wood, instead of shaving a Man's Beard.

N. B. The black Part of this Figure is only designed to make the rest more visible.

The Scale is intended to measure the Figure by.

 Image Size: 240x320 480x640 
960x1280 1440x1920 1920x2560